I was talking to one of my kiddos' parents last week about same sex marriage and she told me a story about a friend of the family that died of HIV/AIDS. So we got to talking and of course RENT came up (this is going somewhere I promise). So long story short she has a friend at the health department that she snatched some HIV/AIDS info from to give me. So! ...here's the point of this all. One of my co-workers said (after hearing about what that parent had given me) "is that a part of your lines? you're going to read that too"? ...I'm sure I looked a little confused at first, but then I answered "yep". And she looked pretty shocked. After that I realized the existence of the actor's "process" is not common knowledge. There are some that just assume a stellar performance is that actor delivering lines or singing lyrics ultra well. And that perception is completely understandable. When I was on the other side of the stage, I remember thinking damn...these people are so incredibly talented, but I never thought about how they got there either. But when you think about it it's actually a great thing, the audience forgetting to consider an actor's preparation. It should seems like what's on stage is just happening. It should look effortless. And I think this is more important with RENT than any other show I've done. Because we're creating a brief glimpse into the lives of real people, with real relationships, real addictions, real empty wallets and real tragedy and joy.
Honestly, I generally refer to myself the performer as a singer who acts as opposed to the opposite. I know that my gift of music far out weighs my gift of acting. With that said, this show really marks the first time that I've attempted to make a living, breathing character that actually exists in "his world".
Even though I feel like I've been preparing for this role since high school, Tom Collins is proving to be one of the most challenging characters I've ever played. (deep, reluctant breath) Truth be told, Collins is becoming increasingly difficult to play because of our similarities. (SPOILER ALERT, kind of) When we meet Tom he is at his rock bottom: no job, no money, no love, perhaps no family either. I really think at Tom's introduction he pretty much just has the clothes on his back. This is why he gets so pissed about his coat. It's kind or a metaphor for his present situation. We really meet Collins at what is probably the lowest point of his life. He feels utterly hopeless and then to rub pepper in those wounds he gets the hell beat out of him AND they take his coat... in the dead of winter, on CHRISTMAS EVE, pre global warming. Not to mention the fact that he lies on the ground for at least an hour. He had truly given up.
At the end of last year I, like Tom, had arrived at my rock bottom. I started to think about all the time I had wasted beginning at high school graduation spanning all the way to the present. Most of us realize how youth is an asset in this industry, almost a resume builder. So I was dealing with that, working at a job that paid with smiles and sunshine, living in my mama's house, accepting myself, being single, not having the courage to chase my purpose, in addition to having an over $90,000 degree that I would never use. I thought about all of that everyday almost all day. So needless to say I fell into a spirally depression. I felt hopeless, empty, worthless. Ironically enough, I accepted a couple of years prior that my purpose was to change people's lives, make them feel something, think, react, then move them into action. For me this meant performance. But how would I do that if I didn't do it. This is an aspiration I've felt since I was ten, but never had a glimmer of courage nor the confidence to pursue it.
These likenesses are why I've been finding it so hard to commit to Tom. I know how it feels to give up and to remain in that dark space. So I've really been fighting my connection with Tom. I'm just so afraid of visiting that mind set even for a moment even though I think it's necessary in order to present a real person. (sigh of relief) Ok...so last rehearsal I started to make a shift in my approach to Tom. I think I'm really starting to be open to his struggle, to his humanity. (SPOILER ALERT) For the first time I really started to connect with the I'll Cover You (Reprise). I was able to quite literally step into Collins shoes. And the content and context of that piece was really turbulent inside me. I had to work for the song not to emotionally destroy me. I've been labeling that night's rehearsal as my "break through". It was what I had been waiting for. All I had to do was surrender to Collins and his experience. Which I've found is of course easier said than done.
Through college I didn't do any shows. Then in 2011 I did my first show in like three years, the start of my one show a year routine. I just hadn't committed to my purpose or the possibility of reaching it. Once a year was just enough for me to say that I wasn't good enough to do it professionally in my then very dark mind. I really only recently jumped back into theater last year. A friend told me I should audition for, Parade, a show I had never heard of, just to see what happens. I was certain that I wouldn't audition. I had really subconsciously accepted that my then reality was how it was going to be...always wondering what if. But for some reason I went to the audition...and got the role. This is how I know there is an all knowing force at work in our world with our greatest interest in mind. Because if I was just in control, I would have never made it to that audition or here.
RIP
John
I opened up my restaurant in Santa Fe
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